Uber-guitarist Bryan Sutton trades licks with Strings on “Salty Sheep”. Strings’ father, Terry Barber, collaborates on “These Memories of You”, the album’s penultimate cut. From all evidence, he’s not met a riff that was his match. He relocated to Nashville a couple of years ago, but before going on the road to support this album he was a notorious jam-joiner with whatever band happened to be in the same place as him. His vocals are in the lower tenor range, but are strong, assured and delivered with purpose. It’s great fun.īilly Strings can play the guitar, really well, and really fast. From the opening sequence of “On The Line” (“you can’t stop us…”), “Turmoil and Tinfoil” presents a hard-driving, breakneck pace of life and carrying on. Some artists have difficulty transmuting their energy to the recorded medium. He’s one of those musicians who packs a fuse and volatile sonic substance with his performance kit sooner or later, the fuse ignites and bluegrass combusts into a fearsome, driving sound. Preternaturally talented, Strings embraces bluegrass instrumentation but brings a powerful energy to his music. It takes a lot of nerve to adopt such a nom de plume (in this case nom de guerre might be more appropriate) in the bluegrass world, but Billy Strings is up to the challenge, and more.īilly Strings (real name William Apostol) grew up in Minnesota, surrounded by musicians.
BILLY STRINGS TURMOIL AND TINFOIL FULL
For tickets and a full list of tour dates click here.Billy Strings “Turmoil and Tinfoil” Apostol Recording Companyīilly Strings. As the boys took the stage for the encore, the rain started up, and we were treated to another nod to Jimi with a soulful cover of “Hey Joe” that flowed into a mind-melting “Third Stone From the Sun”, a perfect ending to a solid and inspiring show.īilly Strings is off to Salt Lake City, UT on September 22nd. Thankfully, the rain held out for almost the entire show, as Jupiter and Saturn shined in the East and the magnificent waxing gibbous moon rose in glorious form. The first real rain in months arrived in the Seattle area in the 24 hours before the show, and it remained in the forecast. The “Turmoil & Tinfoil” > “Enter The Dragon” >” Turmoil & Tinfoil” sandwich to close the second set had the Gore-Tex clad crowd in hardcore hoe-down mode.īilly Strings – “Elderly Woman Behind The Counter In A Small Town” (Pearl Jam) - Redmond, WA - 9/18/21īilly Strings – “Little Maggie” (The Stanley Brothers) - Redmond, WA - 9/18/21īilly Strings – “Crown Of Thorns” (Mother Love Bone) - Redmond, WA - 9/18/21 Another first set treat was the “waltz”, “Mary of the Wild Moor”, which came as a coy name check to the venue, Marymoor Park.Īfter a short break, Billy was back with another nod to the Northwest with a moving cover of Pearl Jam’s, “Elderly Woman Behind the Counter in a Small Town”, and later in the set came another NW tear-jerker with Mother Love Bone’s, “Crown of Thorns” that morphed its way into Billy’s own “Love and Regret”. What followed was a blistering set of Strings’ originals and covers such as Flatt & Scruggs’ “Doin’ My Time” and a tasty extra-long hoagie sandwich of The String Cheese Incident‘s “Black Clouds” into The Stanley Brothers’ “Clinch Mountain Backstep”, and back into “Black Clouds”. They opened the show with a loving nod to hometown hero, Jimi Hendrix, with a smoking cover of “Love or Confusion” on the 51st anniversary of the guitar god’s passing. While a large portion of the audience lumbered through the slow-moving vaccination check/entry line, Billy Strings and his band hit the stage promptly at the 7:30 start time at Redmond, WA’ Marymoor Park on Saturday.
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